All Hail the Power of Jesus’ Name – Unaccompanied Saxophone

December 27th, 2012

This is a fairly simple arrangement of the tune put to “All Hail the Power of Jesus’ Name.” It is intended to for unaccompanied saxophone, but that should not stop other instrumentalists from giving it a try. If you want to see a transcription for your instrument, just send me an email and I’ll see what I can do.

Download score (PDF) ($1.99)
Foreign Currency? Click Here

The opening melody I have here was directly inspired by the original melody. The delicate line contrasts nicely with the powerful tune and accompanies some of the more abstract pictures of Christ’s power. Specifically, “Crown Him, ye morning stars of light, who fixed this floating ball.” Keep in mind that the entire arrangement is to function as a single unit and let all the music and poetry mix together in your head. The bottom line is that Christ is powerful, holy, and Lord.

Below is the part of the text which inspired the arrangement:

All hail the power of Jesus’ Name! Let angels prostrate fall;
Bring forth the royal diadem, and crown Him Lord of all.
Bring forth the royal diadem, and crown Him Lord of all.

Crown Him, ye morning stars of light, who fixed this floating ball;
Now hail the strength of Israel’s might, and crown Him Lord of all.
Now hail the strength of Israel’s might, and crown Him Lord of all.

Ye seed of Israel’s chosen race, ye ransomed from the fall,
Hail Him Who saves you by His grace, and crown Him Lord of all.
Hail Him Who saves you by His grace, and crown Him Lord of all.

O that, with yonder sacred throng, we at His feet may fall,
Join in the everlasting song, and crown Him Lord of all,
Join in the everlasting song, and crown Him Lord of all!


All Hail the Power of Jesus' Name – Unaccompanied Saxophone

December 27th, 2012

This is a fairly simple arrangement of the tune put to “All Hail the Power of Jesus’ Name.” It is intended to for unaccompanied saxophone, but that should not stop other instrumentalists from giving it a try. If you want to see a transcription for your instrument, just send me an email and I’ll see what I can do.

Download score (PDF) ($1.99)
Foreign Currency? Click Here

The opening melody I have here was directly inspired by the original melody. The delicate line contrasts nicely with the powerful tune and accompanies some of the more abstract pictures of Christ’s power. Specifically, “Crown Him, ye morning stars of light, who fixed this floating ball.” Keep in mind that the entire arrangement is to function as a single unit and let all the music and poetry mix together in your head. The bottom line is that Christ is powerful, holy, and Lord.

Below is the part of the text which inspired the arrangement:

All hail the power of Jesus’ Name! Let angels prostrate fall;
Bring forth the royal diadem, and crown Him Lord of all.
Bring forth the royal diadem, and crown Him Lord of all.

Crown Him, ye morning stars of light, who fixed this floating ball;
Now hail the strength of Israel’s might, and crown Him Lord of all.
Now hail the strength of Israel’s might, and crown Him Lord of all.

Ye seed of Israel’s chosen race, ye ransomed from the fall,
Hail Him Who saves you by His grace, and crown Him Lord of all.
Hail Him Who saves you by His grace, and crown Him Lord of all.

O that, with yonder sacred throng, we at His feet may fall,
Join in the everlasting song, and crown Him Lord of all,
Join in the everlasting song, and crown Him Lord of all!


What Child is This? (Greensleeves) for Solo Saxophone

December 20th, 2012

This arrangement of “What Child is This?” for solo saxophone was created with the text from the hymn very much in mind. This is why I’ve chosen the title “What Child is This?” instead of “Greensleeves.” You will notice that the middle section of the arrangement isn’t the cheery sound you generally think of when you hear this tune. However, it is also far from without hope. On the contrary, Christ coming into our world in the way he did brought hope to all of humanity. This came at a costly price, and we are eternally grateful for the gift of God’s son, Jesus Christ.

Isn’t it amazing that God loved us so much that he came into our world in such a humiliating way so that we could live with him and be forever reconciled?

Download score (PDF) ($1.99)
Foreign Currency? Click Here

Instrumentation: Unaccompanied Alto Saxophone

What Child is this who, laid to rest
On Mary’s lap is sleeping?
Whom Angels greet with anthems sweet,
While shepherds watch are keeping?
This, this is Christ the King,
Whom shepherds guard and Angels sing;
Haste, haste, to bring Him laud,
The Babe, the Son of Mary.

Why lies He in such mean estate,
Where ox and ass are feeding?
Good Christians, fear, for sinners here
The silent Word is pleading.
Nails, spear shall pierce Him through,
The cross be borne for me, for you.
Hail, hail the Word made flesh,
The Babe, the Son of Mary.

So bring Him incense, gold and myrrh,
Come peasant, king to own Him;
The King of kings salvation brings,
Let loving hearts enthrone Him.
Raise, raise a song on high,
The virgin sings her lullaby.
Joy, joy for Christ is born,
The Babe, the Son of Mary.


Bassoon Concerto for Orchestra – Against Indifference

November 28th, 2012

I would consider my bassoon concerto to be one of my best pieces. It began as a piece for piano and bassoon, but from the beginning I had plans to orchestrate it. It now works very well in both the piano and orchestral versions, has been reviewed by several bassoonists, and is a favorite among those who listen to my work. Any bassoonist looking for a new challenge to enjoy should most certainly download the free solo part and read through it. You, your accompanist(s), and your audience will love this piece.

Download solo part (free)
Download score and parts (PDF) ($139.99)
Download piano transcription (PDF) ($14.99)

Foreign Currency? Click Here.

Sample Score
Sample Parts
Sample Piano transcription

Additional information:

Instrumentation: bassoon and orchestra (or piano)

Duration: 17:00

Performance notes: I highly recommend that the bassoon be amplified artificially.

This bassoon concerto was heavily influenced by two primary sources. Very few people know it, but John Williams writes fantastic music outside of the film industry. His bassoon concerto (Five Sacred Trees) is pretty much all that I listened to while I was working on this. The other source is actually from literature. Blaise Pascal, a 17th century French philosopher and mathematician, wrote a passionate argument against apathy for eternal matters; a philosophical discourse entitled “Against Indifference.”  Below is the title of each movement and a summary of the argument Pascal was making (the last one is my paraphrase):

Movement I, To the Apathetic

“But as for those who spend their lives without a thought for this final end of life and who, solely because they do not find within themselves the light of conviction, neglect to look elsewhere, and to examine thoroughly whether this opinion is one of those which people accept out of credulous simplicity or one of those which, though obscure in themselves, none the less have a most solid and unshakable foundation: as for them, I view them very differently.”

-Pascal

Movement II, A Lament for Doubt

“I can feel nothing but compassion for those who sincerely lament their doubt, who regard it as the ultimate misfortune, and who, sparing no effort to escape from it, make their search their principal and most serious business.”

-Pascal

Movement III, Search and Fruition

To live a life within the context of eternal existence gives us joy beyond our understanding. Seek this truth, and it will reveal itself to you.


Bassoon Concerto – Orchestral Version

November 24th, 2012

The long awaited orchestral version of my bassoon concerto, “Against Indifference”, is scheduled to be released on November 29 (next Thursday). The full recording will be rereleased as well, and both will be available here.

Of course there is a Facebook event associated with the recording. Join and invite if you’re excited about this!

Send Caleb a message!

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