What Child is This? (Greensleeves) for Solo Saxophone

December 20th, 2012

This arrangement of “What Child is This?” for solo saxophone was created with the text from the hymn very much in mind. This is why I’ve chosen the title “What Child is This?” instead of “Greensleeves.” You will notice that the middle section of the arrangement isn’t the cheery sound you generally think of when you hear this tune. However, it is also far from without hope. On the contrary, Christ coming into our world in the way he did brought hope to all of humanity. This came at a costly price, and we are eternally grateful for the gift of God’s son, Jesus Christ.

Isn’t it amazing that God loved us so much that he came into our world in such a humiliating way so that we could live with him and be forever reconciled?

Download score (PDF) ($1.99)
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Instrumentation: Unaccompanied Alto Saxophone

What Child is this who, laid to rest
On Mary’s lap is sleeping?
Whom Angels greet with anthems sweet,
While shepherds watch are keeping?
This, this is Christ the King,
Whom shepherds guard and Angels sing;
Haste, haste, to bring Him laud,
The Babe, the Son of Mary.

Why lies He in such mean estate,
Where ox and ass are feeding?
Good Christians, fear, for sinners here
The silent Word is pleading.
Nails, spear shall pierce Him through,
The cross be borne for me, for you.
Hail, hail the Word made flesh,
The Babe, the Son of Mary.

So bring Him incense, gold and myrrh,
Come peasant, king to own Him;
The King of kings salvation brings,
Let loving hearts enthrone Him.
Raise, raise a song on high,
The virgin sings her lullaby.
Joy, joy for Christ is born,
The Babe, the Son of Mary.


Transition

November 4th, 2011

This sample is taken from my album, Prelude. Click here  for more information.

Download score, parts, and solo part (PDF) ($129.99). (Includes 8.5×11 and 11×17 versions of the score as well as a complimentary piano reduction.)
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Purchase piano reduction, solo part, and accompaniment mp3 ($16.49)

Sample accompaniment mp3

Sample scores

Sample piano reduction

Duration: 21:00

Performance notes: This Concerto features an extremely difficult saxophone part utilizing the saxophone’s countless timbres, agility, and altissimo register. The performer must have a particularly acute sense of rhythmic precision and strong upper range; like any other concerto in history the soloist must be an extremely accomplished musician. There are also special effects that are particular to the woodwind family including multi-phonics, growling, pitch bends, portamenti, and quarter tone trills.

If the performer generally has a dark sound, the soloist will be overpowered, particularly in the second movement. This can compensated for by the performer using a brighter timbre during these densely scored sections, performing in a brighter hall, telling the band to switch to one on a part, or by artificial amplification. Be sure to consult a sound engineer on how to amplify the soloist if you choose this solution.

Musical interpretation: The title of this work has two meanings. In one sense it is the representation of life in general going through change. In order to settle upon a contented state, one must not fight the changes they go through in life but rather change their attitude towards their new surroundings. It is not our circumstances that make us happy, but our attitude towards our surroundings that governs how we feel. After all, a person can have everything in the world going their way and still be unhappy. I have attempted to capture this concept with this work. My suggestion to see this in the music is to think of the saxophone as a person seeking contentment and the band as the person’s environment (I hope you now see why I have chosen to not thin the orchestration).

On the other hand, this work is a perfect representation of how I have viewed life throughout the year of June 2007 through June 2008. I listen to this work and remember days and times that I assign to certain sections of the piece, some of which are documented in my journal. I will obviously not go into depth about this, but I will leave this by saying that I learned a lot that year.

In a sense you can say that this piece is about growing up; the attitudes of a person before they start to mature, the pain that is required to mature, and then finally looking at the world through eyes that are seeking deeper understanding. In any case, the work represents a person painfully transitioning into a new and better outlook on life.

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