What Child is This? (Greensleeves) for Solo Saxophone

December 20th, 2012

This arrangement of “What Child is This?” for solo saxophone was created with the text from the hymn very much in mind. This is why I’ve chosen the title “What Child is This?” instead of “Greensleeves.” You will notice that the middle section of the arrangement isn’t the cheery sound you generally think of when you hear this tune. However, it is also far from without hope. On the contrary, Christ coming into our world in the way he did brought hope to all of humanity. This came at a costly price, and we are eternally grateful for the gift of God’s son, Jesus Christ.

Isn’t it amazing that God loved us so much that he came into our world in such a humiliating way so that we could live with him and be forever reconciled?

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Instrumentation: Unaccompanied Alto Saxophone

What Child is this who, laid to rest
On Mary’s lap is sleeping?
Whom Angels greet with anthems sweet,
While shepherds watch are keeping?
This, this is Christ the King,
Whom shepherds guard and Angels sing;
Haste, haste, to bring Him laud,
The Babe, the Son of Mary.

Why lies He in such mean estate,
Where ox and ass are feeding?
Good Christians, fear, for sinners here
The silent Word is pleading.
Nails, spear shall pierce Him through,
The cross be borne for me, for you.
Hail, hail the Word made flesh,
The Babe, the Son of Mary.

So bring Him incense, gold and myrrh,
Come peasant, king to own Him;
The King of kings salvation brings,
Let loving hearts enthrone Him.
Raise, raise a song on high,
The virgin sings her lullaby.
Joy, joy for Christ is born,
The Babe, the Son of Mary.


What Wondrous Love Is This? – Solo Saxophone

April 3rd, 2012

My arrangement of What Wondrous Love Is This? for solo saxophone opens with a clear and unembellished statement of the melody. This is then followed by a short theme which I’ve designed to represent the overwhelming joy that Christians have in response to the wondrous love being depicted in the text. This theme is reiterated after every statement of the melodic material, and the arrangement culminates with the full version of the theme as high in pitch and volume of which each instrument is comfortably capable. The arrangement ends with another simple statement of the melody but with a repetitive and embellished ending that focuses on the text, “And through eternity, I’ll sing on.”

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Below is the text I kept in my mind as I wrote this saxophone solo:

What wondrous love is this, O my soul, O my soul!
What wondrous love is this, O my soul!
What wondrous love is this that caused the Lord of bliss
To bear the dreadful curse for my soul, for my soul,
To bear the dreadful curse for my soul.

When I was sinking down, sinking down, sinking down,
When I was sinking down, sinking down,
When I was sinking down beneath God’s righteous frown,
Christ laid aside His crown for my soul, for my soul,
Christ laid aside His crown for my soul.

To God and to the Lamb, I will sing, I will sing;
To God and to the Lamb, I will sing.
To God and to the Lamb Who is the great “I Am”;
While millions join the theme, I will sing, I will sing;
While millions join the theme, I will sing.

And when from death I’m free, I’ll sing on, I’ll sing on;
And when from death I’m free, I’ll sing on.
And when from death I’m free, I’ll sing and joyful be;
And through eternity, I’ll sing on, I’ll sing on;
And through eternity, I’ll sing on.

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