This alto saxophone solo is a musical depiction of Psalm 51; a biblical text describing David’s sorrow over his sin. Using a concert A drone (from any source you want) to create harmonic tension and release throughout the solo, the music follows the same emotional path that the psalm does. It begins in lament and brokenness and slowly moves towards repentance, and restoration.
Below is the text off of which this alto saxophone solo is based:
Have mercy on me, O God,
according to your unfailing love;
according to your great compassion
blot out my transgressions.
Wash away all my iniquity
and cleanse me from my sin.
For I know my transgressions,
and my sin is always before me.
Against you, you only, have I sinned
and done what is evil in your sight;
so you are right in your verdict
and justified when you judge.
Surely I was sinful at birth,
sinful from the time my mother conceived me.
Yet you desired faithfulness even in the womb;
you taught me wisdom in that secret place.
Cleanse me with hyssop, and I will be clean;
wash me, and I will be whiter than snow.
Let me hear joy and gladness;
let the bones you have crushed rejoice.
Hide your face from my sins
and blot out all my iniquity.
Create in me a pure heart, O God,
and renew a steadfast spirit within me.
Do not cast me from your presence
or take your Holy Spirit from me.
Restore to me the joy of your salvation
and grant me a willing spirit, to sustain me.
Then I will teach transgressors your ways,
so that sinners will turn back to you.
Deliver me from the guilt of bloodshed, O God,
you who are God my Savior,
and my tongue will sing of your righteousness.
Open my lips, Lord,
and my mouth will declare your praise.
You do not delight in sacrifice, or I would bring it;
you do not take pleasure in burnt offerings.
My sacrifice, O God, is a broken spirit;
a broken and contrite heart
you, God, will not despise.
May it please you to prosper Zion,
to build up the walls of Jerusalem.
Then you will delight in the sacrifices of the righteous,
in burnt offerings offered whole;
then bulls will be offered on your altar.
-Psalm 51 (NIV)
Performance notes: This piece doesn’t have anything extraordinarily challenging and very much sticks to the saxophone’s traditional capabilities. Except for a few very soft notes in the lower range of the instrument, there is very little that an advanced high school level performer shouldn’t be able to do after a bit of practice. There are a few technical passages that can be considered difficult, but as a last resort the performer can easily change the tempo to make the piece easier to play. I would highly recommend this to students who are attempting to broaden their dynamic range and learning to play out of time.
Interpretation: The mind itself is one of my favorite topics of discussion in philosophy, theology, and science. Here I have attempted to capture the occurrence of a mind having a dark thought that is never resolved, but keeps feeding off of itself until the mind simply accepts its depressed state. In my thinking, this occurs when a person is distressed but refuses to let the source go. This work is what results when a person refuses to let God handle problems that are out of their control. Philippians 4:6, “Do not be anxious about anything, but in everything, by prayer and petition, with thanksgiving, present your requests to God.”
Click here for more information about the saxophone concerto, Transition.
Duration: 49:34
Prelude is the project I have constructed to begin promoting myself as a composer. A previous version was sent to graduate schools as part of my portfolio, but has since been improved in significant ways. The main improvement (besides the sound quality being better over all) is that I have recorded the saxophone part for Transition, capturing the emotion and passion of the piece much more effectively than a synthesizer ever could. However, I should be sure to mention that the recording is very much a studio production, in that there is no possible way that I could perform the concerto in real life to that level of expertise. I have no shame in admitting this since I am not a performer and don’t plan to be.
This project includes what I consider to be my strongest compositions upon graduating from Cornerstone University. It is entitled Prelude since all of the work is not the work of a professional, but a student attempting to become a professional. It is the work that I did to prepare for the future projects that I intend to complete as my career unfolds. This of course not to downplay the quality of the production or to lower your expectations, but to make it clear that this represents where I am coming from and not necessarily where I am going.
