Wedding Music for Piano – Oath of Unity

December 18th, 2010

I wrote this wedding music for piano with an accomplished pianist in mind. However, this detail should not stop anyone from attempting it. I set out to create a broadly usable piece to be used towards the end of wedding preludes and I hope that I have done this well enough to appeal to most performers. The only questionable challenge is that there are some wide intervals throughout the work. I am able to reach a major ninth with ease and therefore wrote many without a second thought. If this is not the case for you, please feel free to change a few notes using your best judgement.

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Sample Score

There are three hymns woven throughout this work. The sample above contains an arrangement of “O Perfect Love”. The other two are “Take my Life and Let It Be” and “Be Thou My Vision”:

     

These samples are taken from my album, Purpose. Click here for more information.

Additional information

I wrote this wedding music for piano to be premiered for my friends, Pam and Ryan, at their wedding for prelude. The danger with this role in a program is that the beginning material is either easily missed, or it rudely interrupts conversations. I have attempted to use this problem to the performer’s advantage by utilizing John Cage’s philosophy: Any sound you hear during the performance is part of the music. While I disagree with Cage on many points, I do believe that there is something to be had with the idea of artistic noise. I actually want the audience to passively participate in the performance by talking at a respectful volume until the piece starts to unfold it’s main themes more clearly. It is the performer’s job to play beneath their mummer and crescendo as they decrescendo by becoming interested. I have yet to see it actually work out that way, but it’s a nice idea…

Since I was writing for a wedding, I have obviously written a piece about marriage. I’m am very passionate about the issue of divorce, and am strongly against divorce outside of marital unfaithfulness and even then only in extreme cases. This work is a charge to any bride and groom to fulfill their oaths to one another out of unconditional love no matter what their situation is. The harsh section of this piece represents the more unpleasant parts of marriage; but this section is fleeting and resolves quickly by returning to the original themes depicting unconditional love and faithfulness. The main take away I want people to have is that the love within marriage unites two people so intimately that the darker parts of the relationship are nullified.


Soprano Saxophone and Piano Duet – Hide and Seek

September 6th, 2010

I had a very difficult time finishing soprano saxophone and piano duet. It began as a simple exercise in exploring orchestrational possibilities in jazz chords while applying percussion techniques on the keyboard. Adding a line for the saxophone simply seemed like the thing to do at the time, and it made it possible for me to have a live instrument for the presentation of my final project in the class I wrote it for. So I wrote the first two minutes of this piece with no intent outside of making pretty sounds. But I liked the sounds so much that I felt the need to turn them into a coherent musical exposition. After being stuck on the piece for about six months, I finally decided that the only way I was going to finish it was to make up an ending that worked and polish it until it was good.

This sample is taken from my album, Purpose. Click here for more information.

Download score and parts (pdf) – 7.99
 Foreign Currency? Click Here.

Sample Score

I don’t have a sense of closure when a piece doesn’t seem to have any meaning outside of itself. So even when I had all but finished the piece I still couldn’t leave it alone because I didn’t understand what it meant. And yet I had already named the piece “Hide and Seek” simply because of the way it sounded. It seemed to be trying to go somewhere profound, but became sad when it couldn’t get there. Then it returned to searching for that profound place, this time without being concerned about the result.

The sound reminded me of my childhood games of hide and seek when I would be entertained by looking for my friends that had hidden from me. It was enjoyable not because I found them, but because I found them through a process of searching for them. But sometimes they would hide so well that I would grow weary of looking for them. But it would then be all the more exciting when I found them. But the purpose of the game wasn’t to find but to seek. So becoming irritated because I couldn’t find my friend was silly since all that should have resulted was enjoying the game longer.

While applying this concept to life itself, and thinking about the music in the context of the Purpose project, I finally realized that this piece is about searching for the purpose of life. Many people (myself included) become frustrated when attempting to work out the reason God put them on the earth. While there is the obvious Sunday school answer of “serving, worshipping, knowing, and glorifying God”, very few people are satisfied with that answer and justifiably so. Knowing and glorifying God is an infinitely broad description of our purpose since God is an infinite being. Saying that really means to do what we were doing all along but for a different reason and maybe throwing in a few religious practices to remind you of that reason. But as dissatisfying as the answer may be, it’s still the correct one. However, I’ve taken it a step further with this piece.

The beauty coupled with tension throughout the first fast section recounts the beauty of life in the midst of seeking the reason for our existence and being disillusioned by the answer we find. This results in a discontentment because without knowing the details of why we were put on this earth we have no idea of what to expect from life. So as we move into the slow section we wonder in vain why we exist and therefore what we should be doing with our lives. But in the midst of this anxiety, we find that beauty remains inherent all around us, even throughout our pain. This brings us to the second fast section in which the sounds that were harsh in the beginning have been reinterpreted and are beautiful. Nothing has changed but our reason for perceiving. We’ve realized that we exist for the sake of seeking the answer to the question of our existence. God put us here to ask questions and seek answers. Since God is throughout all aspects of creation, this ends up meaning that God put us here in order to seek Him. We still haven’t moved beyond the broad Sunday school answer, but this realization has satisfied me and justified my life and work.

Purpose hides and so we seek it. But along the way we find beauty and realize that the purpose of life is the process of searching for it.

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